Sunday, 21 October 2012

Notes on Innocence Lost: The Politics of Looking and Making


Looking and making

Mo Farah denotation connotation

Euro-centrism – putting European concerns at the centre of our world view
Political view you start with influences your design
The Relationship between design and power.

World map changed to make Europe look big and important

Looking is never value free

No such thing as an innocent eye

All of our looking and making comes from some sort of position

Awareness of this helps is to move from described

Cultural text ideology (how people think the world should be)

Karl Marx those who control the means of production control ideas

Looks at relation of capitalism to class

Althusser – French-Algerian importance of the family, media, religion and aducation promoting values

No outside to ideology

We are “hailed” as subjects.

Robert Mapplethorpe

Tom Hunter women reading a possession order

Barbara Kruger Your Manias Become Science
Peter Kennard Santa’s Ghetto. 2006

Adbusters

Our looking is never value-free, neutral or objective, but positioned.

Our making is also positioned (socially, historically ect.).

Cultural production involves the power to perpetuate or challenge

The importance of Secondary research

Secondary research is vital!

It is the easiest way to find out what has already been done, said and thought and why

Whatever your subject someone, as well as you, will have found it interesting and produced work about it

Consider whether your sources are reputable and or/or reliable;

Consider the context of your sources’ production/publication;

Research around your subject

Author, surname, initials, Year of Publication, Title, Edition (if not First).
Place of publication: publisher.

Journals newer information

UWE Harvard system.





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